I like to take pictures of all sorts of things and have since I was a very young child. My first camera was an Agfa Record II from around 1950 that I got when I was too young to appreciate it and it ended up in pieces. I wish I had it now – it was 15 years old when I got it and now it’d be over 70.
For a living I’m doing a lot of portraiture and headshots, architectural, commercial, and editorial work since moving from New York City to Providence, Rhode Island a few years ago. The bulk of my work in New York was based around music and there’s a lot of that on this site. Things were just getting going in RI when COVID hit and it’s starting to pick up again.
In my personal work I’m interested in looking at everyday places and things from the vernacular landscape. Currently I’m checking out the present condition of the mills, factories, and infrastructure in Rhode Island and where they’ve been, where they are, and where they’re going. What was once a powerful center of the Industrial Revolution is now mostly crumbling and much of it is just slipping away unnoticed. I’m trying to document what’s left and how humans shaped the relationship with the landscape, what’s changed, and what might change in the future and how that shapes the culture of the area. And Rhode Island is a visually quirky little state, it’s very photogenic. But the vernacular landscape pictures come from all over.
I was born in New York City, lived in Pennsylvania, Germany, Connecticut, and Florida for varying amounts of time and now Rhode Island. New York is where I spent most of my life and it’ll always be home. Up until COVID I was still working in New York a lot and getting set up in Rhode Island and have a well equipped studio just outside of Providence. But I’m still taking jobs in NYC.
I studied at Hartford Art School with Robert Cumming, Mary Frey, Jack Goldstein, and Gilles Giuntini, all who were instrumental in my thinking in extremely different ways.
Selected list of commercial and editorial clients and placement: Batterie Magazine, Build your Running Body, CBS Records, Cargo Records, Charvel Guitars, Craviotto Drum Co., Decibel Magazine, Dream Cymbals, Ewvidco, Exile on Moan Street, Flagpole Magazine, Grub Street, Hallow Ground Records, Impose Magazine, Late Night With Seth Myers, Latos Drums, Ludwig Drums, Macy’s, Modern Drummer Magazine, Main Drag Music, Music Inc Magazine, NBC, New York Magazine, Noisey/Vice Magazine, Park Amplifiers, Pearl Drums, Residential Properties, Rolling Stone, Reverb.com, The Sleeping Shaman, Solo Sounds Records, Spin Magazine, Supro Amplifiers, TeePee Records, Thrill Jockey Records, Undermountain Ukuleles, Vintage Guitar Magazine, Warner Brothers, Williamsburg and Greenpoint News and Arts, and many more.
For a living I’m doing a lot of portraiture and headshots, architectural, commercial, and editorial work since moving from New York City to Providence, Rhode Island a few years ago. The bulk of my work in New York was based around music and there’s a lot of that on this site. Things were just getting going in RI when COVID hit and it’s starting to pick up again.
In my personal work I’m interested in looking at everyday places and things from the vernacular landscape. Currently I’m checking out the present condition of the mills, factories, and infrastructure in Rhode Island and where they’ve been, where they are, and where they’re going. What was once a powerful center of the Industrial Revolution is now mostly crumbling and much of it is just slipping away unnoticed. I’m trying to document what’s left and how humans shaped the relationship with the landscape, what’s changed, and what might change in the future and how that shapes the culture of the area. And Rhode Island is a visually quirky little state, it’s very photogenic. But the vernacular landscape pictures come from all over.
I was born in New York City, lived in Pennsylvania, Germany, Connecticut, and Florida for varying amounts of time and now Rhode Island. New York is where I spent most of my life and it’ll always be home. Up until COVID I was still working in New York a lot and getting set up in Rhode Island and have a well equipped studio just outside of Providence. But I’m still taking jobs in NYC.
I studied at Hartford Art School with Robert Cumming, Mary Frey, Jack Goldstein, and Gilles Giuntini, all who were instrumental in my thinking in extremely different ways.
Selected list of commercial and editorial clients and placement: Batterie Magazine, Build your Running Body, CBS Records, Cargo Records, Charvel Guitars, Craviotto Drum Co., Decibel Magazine, Dream Cymbals, Ewvidco, Exile on Moan Street, Flagpole Magazine, Grub Street, Hallow Ground Records, Impose Magazine, Late Night With Seth Myers, Latos Drums, Ludwig Drums, Macy’s, Modern Drummer Magazine, Main Drag Music, Music Inc Magazine, NBC, New York Magazine, Noisey/Vice Magazine, Park Amplifiers, Pearl Drums, Residential Properties, Rolling Stone, Reverb.com, The Sleeping Shaman, Solo Sounds Records, Spin Magazine, Supro Amplifiers, TeePee Records, Thrill Jockey Records, Undermountain Ukuleles, Vintage Guitar Magazine, Warner Brothers, Williamsburg and Greenpoint News and Arts, and many more.